Gun Control Essay -- Constituton Bill Rights Right To Bear Arms

The people of the United States of America are given special rights that are guaranteed in the Constitution - The Supreme Law of the Land. The Second Amendment of the Constitution declares, "A well regulated Militia, being necessary to the security of the free state, the right of the people to keep and bear Arms, shall not be infringed." People may have this right, however advocates of gun control believe guns are too risky. Opponents of gun control claim guns have protected them in a self-defense situation. Gun control is defined as government limitaion of the purchase and ownership of firearms by the Columbia Electronic Encyclopedia. Opponents of gun control argue that the right to bear arms is guaranteed to all citizens by the Second Amendment. Owners of handguns and other firearms debate that weapons have protected them and their loved ones from the harm of criminals. Moreover, the National Rifle Association (NRA) argues that although owning a gun requires a license, criminals are still able to get their hands on firearms. In other words, just because a great number of people own guns legally for private use, this does not stop criminals from obtaining guns. Second, the proponents of gun gun control say self defense is not a good enough reason for not regulating firearms. Studies on gun control have shown that family members were more likely to be wounded or even killed by other family members than b y a potential attacker or intruder. In addition, gun control advocates point out the fact that the firearms owned by licensed people are more likely to cause them harm than protection. The two sides have found themselves in a heated debate over this issue. However, public opinion tends to lean strongly towards gun control. Acco... ...uld live with. Related Links The National Rifle Association Handgun Control, Inc. and The Center to Prevent Handgun Violence The Brady Bill The Gun Control Act of 1968 Firearms Policy Journal References Adams, Kenneth. Guns and Gun Control. A National Public Opinion Survey, pp 109-124. (Sociofile) "After Brady." The New Yorker." December 13, 1993, volume 69. P 4+. Broylis,Hiram. "Gun Control or Media Control ?" Chicago Defender. March 25, 2996 p.2 "SMS Reference Library." Version 3.0. CD ROM. Mindscape, Inc., 1995. Sugarman, Josh. NRA: Money, Firepower, and Fear. Washington DC: National Press Books, 1992. Weiland, Bob. " Choice of Weapon" . Gun Goofs in Entertainment Media. July 21,1997 Intron Publication, Netscape p.1 Weir, William. A Well Regulated Militia: The Battle Over Gun Control. North Haven, CT: Archon Books, 1997.

Stefan’s Diaries: The Craving Preface

Everything has changed. My body, my desires, my appetite. My soul. In seventeen short years, I've born witness to more tragedy than anyone should – and been the cause of far too much of it. With me I carry the memory of my death and that of my brother. I'm haunted by the sound of our last breaths in the mossy woods of Mystic Falls, Virginia, and the image of my father's lifeless body on the floor of his study in our magnificent Veritas Estate. I still smell the charred church where the town's vampires burned. And I can almost taste the blood I took and the lives I stole out of sheer hunger and indifference after my transformation. Most clearly I see the curious dreamer of a boy I once was, and if my heart could beat, it would break for the vile creature I've become. But though the very molecules of my being have morphed beyond recognition, the world continues to turn. Children grow older, their plump faces thinning with the passage of time. Young lovers exchange secret smiles as they discuss the weather. Parents sleep while the moon keeps watch, wake when the sun's rays nudge them from slumber. They eat, labor, and love. And always, their hearts pump with rhythmic thuds, the blood as alluring to me as a snake charmer's tune is to a cobra. I once scoffed at the tediousness of human life, believing the Power I had made me more. Through her example, Katherine taught me that time holds no sway over vampires, so I could become divorced from it, living from moment to moment, moving from one carnal pleasure to the next with no fear of consequences. During my time in New Orleans I was heady with my new Power, my limitless strength and speed. I tore through humans as if their lives were meaningless. Every warm drop of blood made me feel alive, strong, fearless, and powerful. It was a haze of bloodlust. I killed so many, so casually. I can't even remember the faces of my victims. Except for one. Callie. Her flame-red hair, her clear green eyes, the softness of her cheeks, the way she stood with her hands on her hips . . . every detail stands out in my memory with painful clarity. It was Damon, my brother and former best friend, who dealt Callie her final blow. In turning him into a vampire, I had taken Damon's life, so he took from me the only thing he could – my new love. Callie made me remember what it was to be human, and what it meant to value life. Her death weighs heavily on my conscience. Now my strength is a burden, the constant thirst for blood a curse, the promise of immortality a terrible cross to bear. Vampires are monsters, killers. I must never, ever forget that again. I must never let the monster take over. While I will forever bear the guilt of what I did to my brother – the choice I made for him – I must also avoid the dark path he is so hell-bent on following. He revels in the violence and freedom of his new life, while I can only regret it. Before I left New Orleans, I battled the demon my brother, Damon, had become. Now, as I remake myself up North, far from anyone who's ever known me as either a human or a vampire, the only demon I have to battle is my own hunger.

Death On The Pale Horse - 1691 Words

This paper can analyze the context within which the work of art, Death on the Pale Horse was created. The discussion also will determine the medium that the creator selected still as highlight a number of the additional fascinating aspects of this Benjamin West painting. Two copies of the painting, each of that are exhibited and reproduced as authentic works by Benjamin West, square measure within the urban center deposit of Art. However, in articles written by a former director for that deposit, Fiske Kimball, the previous director queries whether or not these 2 paintings are literally copies. The articles were revealed in 1931 and 1932, and art historians currently believe that the 2 originals currently suspend elsewhere (Von Erffa,†¦show more content†¦Thus, some art historians believe that he selected, instead, to comment through his design (Keyes, 3-6). There square measure many variations between the wash and also the oil on canvas works. West created vital changes, all thought of enhancements, to his pen and ink wash study. within the study, a figure kneels with extended arms within the lower left corner. But, within the oil on canvas painting, this little figure has been replaced by a person holding a spear. Also, there s a family fleeing the scene within the study, however within the painting the fleeing family was replaced by a youth United Nations agency is being smitten by lightning. There square measure varied additions within the painting. One figure currently holds Associate in Nursing empty cup. The sky currently bears figures that represent the Demons of Discord and Envy (Carey, 17), and 2 eagles that attacked a heron within the study ne er created it into the oil painting. all the same, the sketch continues to be thought of one in all West s masterpieces, and this reality was even recognized throughout his period of tim e (Von Erffa, 145). Like the painting, the sketch exhibits a number of West s finest imaging and clearly and convincingly depicts all of the feeling of a frightful scene. The larger oil on canvas work isn t one portrait, but rather, aShow MoreRelatedAnalysis Of Death On The Pale Horse 1097 Words   |  5 PagesThis paper is going to analyze the context within which the work of art, Death on the Pale Horse was created. In addition, the paper will also discuss the medium that the artist selected and highlight a number of the other fascinating aspects of this Benjamin West painting. Benjamin West first displayed his work of art in 1784 at the Royal Academy of Arts in London, in conjunction with three different works that he had planned to paint. 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